All tablets.

URU-KA-gina 14h

(1) The name of this (object) is: "Bau is the mother of Iri-kagina".

URU-KA-gina 14i

(1) The name of this (object) is: "Bau is the counsellor of Iri-kagina".

URU-KA-gina 14j

(1) The name of this (object) is: "Bau is the vigour of Iri-kagina".

URU-KA-gina 14k

(1) The name of this (object) is: "Bau takes care of Iri-kagina's throne".

URU-KA-gina 14l

(1) The name of this (object) is: "Bau declared: 'The crushing youth is Iri-kagina'".

URU-KA-gina 14m

(1) The name of this (object) is: "Bau is the guide of Iri-kagina".

URU-KA-gina 14n

(1) The name of this (object) is: "Bau is the true diadem of Iri-kagina".

URU-KA-gina 14o

(1) The name of this (object) is: "Bau confirmed what was told by Iri-kagina".

URU-KA-gina 14p

(1) The name of this (object) is: "Bau, who is worthy of the dais of Irikug, loves Iri-kagina".

URU-KA-gina 14q

(1) The name of this (object) is: "Bau, the "May all bow down!" of Irikug, bore Iri-kagina to be a shepherd".

URU-KA-gina 14r

(1) The name of this (object) is: "Bau, the daughter-in-law of Eridug, walks in front of Iri-kagina".

URU-KA-gina 14s

(1) The name of this (object) is: "Bau stood by the entreaties of Iri-kagina".

URU-KA-gina 14t

(1) The name of this (object) is: "Bau stood by the prayers of Iri-kagina".

URU-KA-gina 14u

(1) The name of this (object) is: "Bau's love for Iri-kagina is never ending".

URU-KA-gina 14w

(1) The name of this (object) is: "Bau is the protector of Iri-kagina".

URU-KA-gina 17add (FAOS 05/1, Ukg 17, B)

(1) Guards of the city wall: Ebabbar. Iri-kagina, king of Lagaš.

URU-KA-gina 19add (FAOS 05/1, Ukg 19)

(1) Guards of the city wall: Nanše. Iri-kagina, king of Lagaš.

URU-KA-gina 20add (Amherst 003)

(1) Guards of the city wall: Lugal-metena. the man of Inim-duga. Iri-kagina, king of Lagaš.

URU-KA-gina 21add (FAOS 05/1, Ukg 21)

(1) Guards of the city wall: Ur-igi, the captain. Iri-kagina, king of Lagaš.

URU-KA-gina 22add (FAOS 05/1, Ukg 22)

(1) Guards of the city wall: Amar-ezen, the captain. Iri-kagina, king of Lagaš.

URU-KA-gina 24add (FAOS 05/1, Ukg 24)

(1) Guards of the city wall: Dundun, the captain. Iri-kagina, king of Lagaš.

URU-KA-gina 32add (FAOS 05/1, Ukg 32)

(1) Guards of the city wall: Inana-ursaĝ, overseer of the palace staff. Iri-kagina, king of Lagaš.

URU-KA-gina 34add

(i 1') ... were the rulerś onion plots. (i 5') The team donkeys and the unblemished oxen .... (ii 1') Bau became the owner of all the households and fields of the female (members' of the ruler's family). ... all the households fields of the (ruler's) children. (iii 1') The ... of Niĝin are (entitled to) 180 loaves of bread and and 1 mud vessel of beer. (iii 5') The double men's toll through the gate (of the netherworld) is revoked.

Utuk/Uhub 1

(1) For Zababa, Uhub, ruler of Kiš, ....

Amar-Suena 10

Dedicatory curse clause invokes Nanna and Ningal against anyone who displaces the statue, preserving the standard Ur III formula for protecting royal monuments through divine sanction rather than human enforcement.

Amar-Suena 12

Records Amar-Suena's construction of a royal jail at Ur — one of the earliest explicit textual attestations of a dedicated carceral institution in Mesopotamian history.

Religion & Myth·Writing & Literature

Amar-Suena 15

Dedicatory inscription of Amar-Suena for Enki's Abzu temple at Eridu, attesting the third Ur III king's building programme and his claim to universal rule under Enlil's authority.

Religion & Myth·Writing & Literature

Amar-Suena 16

Records Amar-Suena's foundation of the first ĝipar (high-priestess residence) at Karzida, attesting the Ur III crown's active role in extending Nanna's cult into previously unserved cult centres.

Amar-Suena 18

Preserves a royal titulary of Amar-Suena — 'king of Urim, king of the four quarters' — attesting the ideological claim to universal sovereignty that defined Ur III kingship at its height.

Religion & Myth·Writing & Literature

Amar-Suena 2009

A private votive dedication by a scribe's wife to the goddess Lamma, it attests the personal piety of literate households under Amar-Suena and the role of women as independent dedicants in Ur III religious life.

Amar-Suena 21

Dedicatory inscription naming Taddin-Eštar as a royal child of Amar-Suena, adding a personal name to the otherwise sparse prosopography of the Ur III royal family.

Ibbi-Suen 01

Ibbi-Suen's own account of fortifying Ur's walls — the defensive building programme of the last king of the Ur III dynasty, undertaken as Amorite pressure and internal fragmentation were already straining the empire he claimed to rule.

Ibbi-Suen 2014

Dedicatory inscription naming Ibbi-Suen's personal deity Mešlamta-ea: one of the few surviving epigraphic witnesses to the personal piety of Ur III's last king before Ur fell to the Elamites.

Šu-Suen 03

Records Šu-Suen's systematic disposal of conquered populations — blinded men assigned to temple orchards, women to textile mills — documenting the Ur III state's institutionalised exploitation of war captives as temple labour.

Šu-Suen 2018

Dedicates a bronze axe to the god Šara on behalf of Šu-Suen, attesting the votive inscription habit by which Ur III officials tied personal piety to royal legitimacy.

Šu-Suen 27

A fragmentary royal inscription of Šu-Suen attesting the standard Ur III ideological formula linking kingship to Enlil's personal favour — evidence of how the dynasty legitimised rule through divine election language.

Šulgi 03

Dedicatory inscription recording Šulgi's construction of the E-ḫursaĝ palace-temple at Ur, attesting royal building patronage as a mechanism of divine legitimacy in the Ur III state.

Šulgi 06

Attests Šulgi's building works at the E-ana temple complex in Uruk, linking his patronage of Inana's cult to his claim over the dual title 'king of Sumer and Akkad.'

Šulgi 09

Attests Šulgi's construction of the E-šeššeše-ĝara for Nanše at Lagash, placing royal temple-building patronage at the intersection of Ur III statecraft and the goddess's traditional role as divine judge of social justice.

Šulgi 10

Dedicates the E-šeššeše-ĝara temple to Nanše, goddess of social justice and boundaries, placing Šulgi's building patronage within the religious infrastructure that legitimised Ur III royal authority.

Šulgi 100add

Attests Šulgi's patronage of Martu, the Amorite deity, inside a Sumerian royal titulary — evidence that Ur III kings co-opted tribal gods to consolidate legitimacy on their western frontier.

Šulgi 13

Dedicatory inscription recording Šulgi's construction of Ninmarki's temple E-munus-gisa at Ĝirsu, anchoring the king's patronage of local cults within his broader claim to rule all Sumer and Akkad.

Šulgi 15

Dedicatory inscription anchoring Šulgi's construction of the Bagara temple to Ninĝirsu at Lagash — evidence that the Ur III kings extended royal building patronage to cults beyond their capital at Ur.

Šulgi 20

Attests Šulgi's construction of the E-dur-anki, anchoring his building program at Ur to the goddess Inana and the ideological fusion of military power with divine patronage in the Ur III state.

Šulgi 2001

Votive dedication to Ninhursaĝa naming Šulgi by his full titulary — 'king of Sumer and Akkad' — attesting the ideological claim to universal kingship that defined Ur III imperial identity.

Šulgi 2032

A priestly dedication to Ninmarki and Nanše for Šulgi's well-being, attesting how Ur III cult officials used votive inscriptions to link temple service with royal legitimacy.

Šulgi 22

Attests Šulgi's full titulary — 'king of Urim, king of Sumer and Akkad' — one data point in the composite epigraphic record mapping how Ur III rulers projected sovereignty across a unified southern Mesopotamia.

Šulgi 34

Dedicatory inscription naming Šullat and Haniš — storm-deity pair better known as heralds of the Flood in later myth — as recipients of a royal temple built by Šulgi, attesting their independent cult under Ur III patronage.

Šulgi 39 (and Šulgi 45)

Attests Šulgi's full royal titulature — 'king of Urim, king of Sumer and Akkad' — the ideological formula by which the Ur III dynasty claimed sovereignty over the entire known civilised world.