Position in chronology
Erišum I 03
Translation · reference
High confidence(1) Erišum (I), vice-regent of (the god) Aššur, son of Ilu-šūma, vice-regent of (the god) Aššur. (7) For (the god) Aššur, his lord, for his life and the life of his city, he built the temple (and) all of the temple area for (the god) Aššur. (17) I fashioned two beer vats. I placed two bronze duck figures, each (weighing) one talent, at their base(s).
Source: Royal Inscriptions of Assyria online (RIAo), Munich Open-access Cuneiform Corpus Initiative (MOCCI), Ludwig-Maximilians-Universität München; in association with the RINAP Project, University of Pennsylvania. https://oracc.museum.upenn.edu/riao/Q005623/
Translation · AI engine
read from photoErišum, vice-regent of Aššur, son of Ilušuma, vice-regent of Aššur — for Aššur, his lord, for his own life and the life of his city, the entire temple-estate he set in order; he built (it) for Aššur. Two copper cauldrons he cast; two bronze birds of one talent (each) he set at their bases.
7 uncertain terms ↓
- ÉNSI (iššiakku) — Rendered 'vice-regent' following RIMA convention for Assyrian iššiakku; the title here is explicitly 'vice-regent of Aššur' rather than a city governor.
- ḫu-bu-re-en — Dual form of ḫubūru; meaning 'cauldrons' or large bronze vessels. The exact vessel type is debated; some render it 'basins' or 'bowls'.
- MUŠEN.UZ — Logographic writing for a bird (possibly a duck or goose form); rendered 'birds' following convention; could be decorative bird-shaped vessel attachments or figurines.
- iš-dì-šu-nu — Lit. 'at their bases/foundations'; could refer to the pedestals of the bird-figures or the bases of the cauldrons.
- É-ti gi-me-er-ti — Lit. 'the entire temple'; gi-me-er-ti (from gimirtu) means 'totality, entirety'. The phrase designates the complete temple complex or all its appurtenances.
- i-sà-re — From esēru, 'to set in order, restore, make straight'; rendered 'set in order' / 'restored'. Some interpret as 'he constructed/organized'.
- 'old-babylonian' period label — Catalog metadata appears erroneous; Erišum I is an Old Assyrian king (RIMA 1, A.0.33). The inscription belongs to the Old Assyrian period, ca. 1974–1935 BCE.
Reasoning ↓
LAYER 1 — Visual examination: The tablet is a large, roughly square clay tablet held at the British Museum (colour scale visible bottom left). The surface is heavily weathered and eroded, particularly in the lower-left quadrant where a thick accretion of dark material obscures the signs almost entirely. The upper portion shows faint horizontal register lines and scattered wedge impressions, but individual sign values are very difficult to distinguish at this resolution and preservation state. The right side retains some readable horizontal strokes and possible vertical wedges. The lower-right carries a series of parallel diagonal/horizontal grooves that may be ruling lines rather than text. Overall the surface is too damaged and the resolution too low for confident independent sign-by-sign reading. LAYER 2 — Transliteration: The text identifies Erišum I (Old Assyrian king, ca. 1974–1935 BCE, son of Ilušuma) as ÉNSI (iššiakku, 'vice-regent') of Aššur; describes building activity for the god Aššur; and records the dedication of two cauldrons and two bronze birds of one talent each placed at their bases. The catalog metadata labels this 'Old Babylonian' but the content and royal name firmly place it in the Old Assyrian period (Erišum I). CROSS-CHECK: The photo cannot be used to verify individual sign readings due to heavy erosion and low resolution; most of the sign clusters visible in the photo are consistent in general layout with a multi-line inscription of this length, but no specific signs can be confirmed against the transliteration. The word ḫubūrēn (dual of ḫubūru, 'cauldron/vessel') and the dedication formula are standard Old Assyrian royal inscription conventions (cf. RIMA 1, A.0.33.3). The 'period' field in the catalog ('old-babylonian') appears to be a metadata error; the text is Old Assyrian.
Generated by claude-sonnet-4-6 · prompt 2026-05-11/v3-conventions · May 11, 2026 · 3166 in / 1080 out tokens
Why it matters
Documents Erišum I's temple construction at Aššur and its ritual furnishings — bronze duck weights and beer vats — giving the earliest detailed record of cultic equipment in an Assyrian royal building inscription.
Transliteration
i-ri-šum / ÉNSI / a-šùr / DUMU DINGIR-šu-ma / ÉNSI / a-šùr / a-na a-šùr / be-lí-šu / a-na ba-lá-ṭì-šu / ù ba-lá-aṭ / a-li-šu / É-ti / gi-me-er-ti / i-sà-re / a-na a-šùr / e-pu-uš / 2 ḫu-bu-re-en / ú-li-id / 2 MUŠEN.UZ / ša 1 GÚ-ta / ZABAR / i-na iš-dì-šu-nu / áš-ku-un
Scholarly note
Royal inscription of an Assyrian king, published in the Royal Inscriptions of Assyria online project (RIAo). Translation reproduced from the ORACC edition. ORACC text Q005623.
Attribution
Image: BM 090299 (British Museum, London, UK) — Photo via Cuneiform Digital Library Initiative (cdli.mpiwg-berlin.mpg.de/artifacts, P427917). source
Translation excerpted from Royal Inscriptions of Assyria online (RIAo), Munich Open-access Cuneiform Corpus Initiative (MOCCI), Ludwig-Maximilians-Universität München; in association with the RINAP Project, University of Pennsylvania. https://oracc.museum.upenn.edu/riao/Q005623/.
Related tablets
Related sources
The earliest historical document in human history. Before this, we have lists, accounts, and dedications. Here, for the first time, a ruler tells us what happened — with names, places, and consequences.
The oldest surviving law code in human history. The principle that the state — not the wronged family — defines and enforces justice begins here.
Not the first law code, but the most complete and the most famous. Inscribed on a black diorite stele over two meters tall, displayed in a public place — law made visible, law made monumental.